When the door closes on the visitor, a tension develops. The interior is intimate. When it enters, sensitive ground detects it and triggers a series of events : spatialized sounds, video projections, light effects, water drops, vibrations of water, of the body ... events that synchronize to each other and operate a gradual shift towards a world where thought gives way to sensations.

This space is both mental and physical, the virtual acts there on the material, the material on the virtual. Here is constructed an abyss of what is seen with what is lived, of the real with the fictional : the spectator is the actor, he attends the spectacle of one himself...

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Narcissus or the first social network poses the myth of Narcissus and Echo as a metaphor for this reflection on the relationship between image and sound : cinematographic object, the installation integrates at the center of its creative process the functions of the screen and the pregnant.

Thus these fundamental materials of diffusion become both objects and subjects: between two imaginaries who seek each other (sound and image), the real  (water matter) is interposed ; the device brings the physical matter into contact with the digital tool.

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By capturing the myth of Narcissus, the installation creates a mise en abyme of the subject and its dissemination medium. The scenography gives the simple expression.